Terra Mystica (Saturday Review) – Tabletop Games Blog

Release Date: 2012Players: 2-5
Designer: Jens Drögemüller, Helge OstertagLength:  60-150 minutes
Artist: Dennis LohausenAge: 12+
Publisher: Z-Man GamesComplexity: 4.0 / 5

 As witches fly overhead, giants stomp around the wastelands, swarmlings huddle in swamps, chaos magicians cause, well, chaos, halflings burrow the plains and engineers build their bridges from their mountains, you roll up your carpet and prepare to continue through the desert in your nomad way. As you consider the scene in front of you, something nags you. Engineers building bridges from mountains – that doesn’t sit right somehow. Yet, that’s not all. Suddenly the desert in front of you terraforms into a wasteland. Deserts aren’t much of a laugh and wastelands don’t seem much different, but terraforming in this fantasy setting seems completely out of place. You half expect a spaceship to land in front of you, when instead a giant places a dwelling in the newly created space. Not only that, they then proceed to convert the dwelling into a trading house. It is not clear what giants have to trade, but you consider it for a moment, before you decide to send one of your priests to advance on the cult track for air – because after all, everyone needs air to live. A moment later you realize that you’re in a giant game of Terra Mystica by Z-Man Games.

As you will have gathered from my introduction, there are a fair number of things that are wrong with the overall theme of Terra Mystica. It is something that bothers me a lot. I feel strongly about themes in games, as it helps me understand what it is I should do to win the game. If a theme is at odds with the gameplay or just seems disparate or even contradictory, I won’t enjoy the game, because I will never quite know what outcomes my decisions are likely to have, which is frustrating for me.

Don’t get me wrong. Theme isn’t critical for me to enjoy a game. I really like playing abstract games, and the same was true with Terra Mystica when I decided to turn it into a completely abstract game in my head by ignoring its theme and simply treating every faction as a colour on the board that has different abilities to others, the priests as a way to gain end game points and refuel my bowls of power, which in turn allow me to take special extra actions, and by looking at buildings as a way to gain more workers, money, priests or power on my next turn, as well as gain more points and control more area, which also gives me points.

In Terra Myistca, your aim is to spread out over a fixed map divided into hexes, which are grouped into islands divided by rivers. You need worker cubes and money to carry out actions, and you get these by placing dwellings, which you can upgrade to tradings posts. You will also need priests to go up on the cult tracks, and you get these by converting trading houses into temples, which in turn can be changed into sanctuaries. If you want to unlock the special ability that is unique to your faction, you need to convert a trading post into a stronghold.

The building process sounds involved, but is really clever, because as you upgrade one building into another, you remove it from the map back to your player board, covering up your start of round income of workers or money, then take the upgraded building off your player mat and place it on the map where the original building was, thereby revealing new types of start of round income. A building upgrade can mean that you get one less worker at the start of the next round, but instead gain coins. You have to balance one with the other.

The power bowls are probably the most interesting and most famous mechanism in the game. You can only use power in the third bowl to take some special actions. So your power needs to be moved from bowl one into bowl two – and only when bowl one is empty can you move power from bowl two into bowl three. When you use the power from bowl three, it goes back to bowl one, meaning you have to work quite hard to move it back round again. It creates this lovely mechanism whereby you might be really powerful one turn, but then need a round or two before you have enough power again.

There are also lots of ways to convert power into workers, coins or priests, and priests can be converted into workers, which can be converted into coins. Everything seems to be multi-use, which is great and gives you plenty of flexibility, so you can change your tactics if another player tries to block you.

As all of this is going on, you also need to think about terraforming the land so you can spread out, because at the end of the game you get a fair number of points if you control the largest area. Cutting other players off is important, so you would think it’s best to go out on your lonesome to make this impossible. However, you need to be near other players to make upgrading to tradings posts cheaper, which is vital for most factions – only some are cash rich to make this less of a problem. So you have to be quick and expand before your opponents can, blocking them in, instead of the other way around.

Terra Mystica is a game I have learned to enjoy. I have been playing it a lot online on Yucata and not been doing too badly either. We even played it twice in one night the other week at our regular games night – which isn’t something I had ever expected to happen after our first couple of failed attempts when a friend of mine bought the game a few years ago.
It shows that sometimes you need to tweak how a game works, not by house ruling anything, but by looking at it from a different angle. It is funny how much the theme stopped me from understanding how to play Terra Mystica – and now that I have flipped it around in my head, I feel I am able to plan and follow a strategy, rather than stab in the dark.

So if you’re looking for a medium heavy area control game, then Terra Mystica will be for you. Ignore the theme and see it for what it truly is. Also make sure you play with variable VP rules, where the different factions start with different victory points – and ideally also add the variable turn order variant from the Fire & Ice expansion, which affects what happens when players pass at the end of their round.

Speaking of expansions, there are a few which you might want to look at once you have played Terra Mystica for a while. There is a more faction balanced game board as well, but you are probably going to enjoy the base game for quite a while before you will want to look for the additional options.



Sub Terra II: Inferno’s Edge (Saturday Review)

Release Date: 2021Players: 1-6
Designer: Tim Pinder, Rose AtkinsonLength:  45-75 minutes
Artist: Diana Franco Campos, Marco LunaAge: 10+
Publisher: Inside the Box Board GamesComplexity: 2.0 / 5

You and a handful of brave explorers have finally found the entrance to Mount Arima, the fearsome volcano that has laid sleeping for decades, and which hides an important secret in its maze of tunnels. Tales of a magical sanctum have drawn you and your fellow adventurers together. You all promise to work together and face whatever dangers you may encounter in the depths of this mountain. Yet, none of you have realized that your allegiance will be tested to your death, if you are not able to escape before the volcano erupts and burns you alive. Sub Terra II: Inferno’s Edge by ITB Board Games will require you to work together effectively and swiftly if you want to succeed.

As the successor to Sub Terra, which was another successful Kickstarter campaign for ITB Board Games in 2017, Inferno’s Edge is based in the same world, but is a completely standalone game. I have only ever played Sub Terra II, so I don’t know how it differs from its predecessor. All I can say is that here we have a light, fun, co-operative game of tile drawing and placing with asymmetric player powers and lots of dice rolling. I think you can tell from this sentence alone, that there is a lot of randomness in this game, which creates a level playing field and makes the game immediately ideal for players with different experiences and skillsets.

Sub Terra II is really easy to teach and learn. If you play it with friends and family who may otherwise not be interested in boardgames, they will pick it up very quickly within only a handful of turns. In fact, everyone will immediately have a feeling of agency when they choose between the different characters that come with the game, each of which has different special abilities.

The fact that Sub Terra II is co-operative is also useful if you want to play the game with people who are relatively new to boardgames, as they won’t feel like they’re on their own, which reduces the pressure on new gamers quite a bit. However, do bear in mind that the chance that an alpha player takes over is very possible in this game, which does very little to prevent a player telling everyone else what to do.

Where the game really shines for me though is the theme. Think of a very popular film franchise where an archaeologist with a fedora explores caverns sprinkled with deadly traps to retrieve a precious relic and escape alive, and you have Sub Terra II. The main difference here is that in the game you are all explorers and every single one of you has special abilities and a real taste for adventure. Other than that, you explore the tunnels of the volcano and discover traps and other dangers until you eventually reach the sacred temple that contains the sanctum, which you need to get out before everything is consumed by lava.

The excitement in the game comes from all the randomness. You randomly draw a tile from a bag and place it so that the tunnel ahead of you expands. The tiles are a mix of T junctions, crossroads or other safe places, as well as various traps and other dangers, such as collapsed sections or the ominous guardians. So you can never be quite sure what you will face next. Then, once you’ve taken your turn, you also have to roll the hazard dice, which may cause new guardians to spawn or for them to come and find and attack you. You may also cause sections of the tunnels to collapse, potentially burying your fellow explorers under a huge pile of rubble, or you trigger traps that injure you.

To make matters worse, at some point during your first game, you realize that you don’t just have to find the sanctum, but also have to get back out again. So all the traps and dangers that you faced on your way in are likely to greet you again on the way out, but now the team is already weakened and will find it much harder to survive further injuries.

Additional excitement and tension comes from the timer. There are only so many rounds before the volcano erupts and the tunnels fill with deadly molten rock. Again, this is beautifully done in the game. Every tile has two sides – the normal tunnel side and the lava side. The theme is brought to life really well by this very simple design decision. It’s almost beautiful to see the tunnels fill with orange glowing magma, until you realize that it’s spreading faster and faster and starting to kill your team. You get a real sense of panic as you try to flee, because the lava doesn’t just spread from one tile to another, but in a sort of chain reaction. That means all tiles connected to a lava tile are turned over at once, so you might have three tunnel sections all filling up in one go.

As a co-operative game, you basically play against the volcano and you can change the difficulty level by giving you more or less turns. There is a table in the rulebook that tells you the suggested number of turns you should use based on the number of explorers that play and the difficulty you want to try. However, there is nothing stopping you from setting the difficulty differently.

So Sub Terra II is really fun. It’s definitely a very light game with very little strategy. Every turn you just react to the situation in front of you, which is fine and really emulates how intrepid adventurers are portrayed in film and television, making up plans on the spot as they discover what’s ahead. So if you just want to have about an hour of exploring sacred caverns and fighting mysterious guardians, always having the threat of everything being consumed by molten laval, then this game is for you.

Transparency Facts

I feel that this review reflects my own, independent and honest opinion, but the facts below allow you to decide whether you think that I was influenced in any way.

  • I was given a free review copy of the game by the publisher.

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Music: Epic Dramatic Trailer by AShamaluevMusic